The challenges of revision came up at yesterday’s critique group session, and again this morning on a Facebook page.
I developed my Reverse Outlining process a number of years ago as a way to dig into specific craft elements of the text of a manuscript of one of my kids’ books, and have since found it useful as a way to identify how a work in progress develops on the page, and provide info about what to do next.
While this process was originally designed for fiction, I have had a couple of memoir writers use it successfully, too. You are free to use it, share it, and adapt the chart and the notes for your own use. If you are a professional editor writing coach, please ensure you credit me.
2018 Rev Outline chart
2018 Reverse Outlining notes
And if you find this useful in your work, please comment here, or drop me a 1-2 line testimonial which I can use to help pitch workshops in which I demonstrate how Reverse Outlining works.
Picture # 4/66
“Sometimes there’s no picture… no picture.” Thus spake Henri Cartier Bresson. And having spent quite a bit of time recently reviewing hundred of pictures posted on blogs and Facebook pages by street photographers, I see his point. Some pictures are just… well… pictures. If that. With little resonance, metaphorical heft.
I took this picture on a bus traveling through Rajasthan. A women engaged in what looked like a hopeless task. Sweeping an empty lane on a multi-lane highway as trucks and buses slowed down to pay the toll.
There would be no end to her sweeping, and the little she did would make no difference.
To me, it is a compelling instance of the infuriatingly complex nature of India. And I wished then, as I wish now, that I were a poet. I think then I might find words to describe the feeling I got when I saw her, and when I clicked the shutter.
But without the viewer knowing where she was, and what exactly she was doing, this picture is a ‘no picture’.
Just as on so many occasions I have a germ of a story, that is not a story. Until the second shoe drops. Until another element couples with the first germ to create something compelling and resonant.
Sometimes there’s no story.
Sometimes there’s no picture.
But we write it any. We take it anyway.
Because it was there. And so were we.